The group appropriates the work "The portrait of Dorian Gray",  reading in it latent possibilities of discussing through its history the relations of image fetishization in our current society.

The concept is from Debord (a work already cited) who affirmed, even in the 1960s of the last century, that contemporary relations are crumbling in the face of the hegemony of the image in a society in which everything and everyone becomes a 'product'.

It is then proposed a carnivalization of the universe built by the English author in the creation of a satirical piece that mixes the Victorian era (space-time in which the action of the original takes place) with elements of the contemporary pop world, technological devices and Brazilian references. ; inaugurating a new place – anachronistic and indeterminate – for a new Dorian, who in this new (des/re)constructed history, immobilized between his concrete image and the unattainable projections idealized in the world of consumption and advertising, commits suicide._cc781905-5cde- 3194-bb3b-136bad5cf58d_