Red Soldier Agoniza   inaugurated a new macro-project, the “PUTO manifest”, which consists of monologues by company members written by the actors who play them, metaphorizing (and thus universalizing) issues of their own experiences and biographies in order to update political discourses of all members of the collective.

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The spectacle is built by small fragments of invented realities succeeding each other in a delirium of death. The voice that initiates this plural narrative is that of the soldier facing the angel of death that will lead him to his final judgment.

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In the sequence of scenes, the actor presents other figures that gradually compose a panel of actions and situations of everyday war. Politicians, mothers, TV sensationalists, prostitutes... all diluted in a single body that stitches these stories together in an attempt to question social and religious paradigms that can imprison relationships and drown individualities. The repetition of textual forms and body scores that continually re-signify themselves, print the rhythm of the montage, subverted by musical interventions that locate the delirium in an “underground cabaret frequented by enemy soldiers” whose atmosphere contaminates the work guiding choices of visuality and dialogue. of the actor with the public and the scenic space.